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Every constellation has a story. This is Orion's.

Orion rising over an old juniper tree.
Orion rises over an old juniper tree at Wine Down Ranch in Prineville, Oregon

Orion’s story is one of the oldest — a hunter carved into the winter sky, striding across the heavens with a belt of stars and a sword of fire. But the real stories aren’t in the myth. They’re inside the constellation itself.


Recently, I set out to connect two of Orion’s most iconic regions — the brilliant star Alnitak in the Belt and the glowing nebulae of the Sword — into a single seamless mosaic. What emerged is a portrait of stellar birth, cosmic turbulence, and the vast architecture of the Orion Molecular Cloud Complex. This is the story behind that image, and the science woven through it.

The Orion constellation with a region highlighted.
The area of the mosaic.

The tour of Orion
From the intricate swirling gases of the Orion Nebula (M42) to the glowing Flame Nebula, this mosaic captures the story of Orion.

The significance of Orion’s belt and sword


Orion’s belt consists of three bright stars—Alnitak, Alnilam, and Mintaka—that form a straight line. These stars are not only visually striking but also serve as a celestial guidepost for astronomers and stargazers alike.


The "leftmost" star in the belt, brilliant Alnitak, is sandwiched between two aptly named nebulae. First, there is the Flame Nebula (NGC2024). This is a birthplace of young stars, with a young cluster hidden behind the gas and dust of the nebula. A large star named IRS 2b emits ultraviolet light which excites the gases surrounding it, causing them to glow. It is believed this is part of the cycle that ultimately spawns new stars in the cluster hidden behind the nebula.

The Flame Nebula (NGC2024) next to brilliant Alnitak.

Perpendicular to the flame Nebula is the iconic Horsehead Nebula. This is actually a combination of two nebulae. Radioactive gases emit light in the hydrogen alpha portion of the spectrum (IC434) that in turn makes the silhouette of a enormous cloud of dark dust visible as Barnard 33, the Horsehead Nebula.

A false color rendering of the Horsehead Nebula.
The iconic Horsehead Nebula backlit by IC434, presented here with false color (yellow) in place of the usual Hydrogen Alpha red.

The image of both nebulae together is a popular image that I always refer to as simply, "da belt."

The nebulae surrounded Alnitak.
"Da belt"

Below the belt hangs the sword, a region rich with nebulae and star-forming clouds, including the famous Orion Nebula (M42).

Orion's sword
"Excaliber" is my most detailed image of the sword of Orion

The belt and sword together tell a story of stellar birth and cosmic evolution. The bright stars in the belt are massive, young stars burning hot and fast, while the sword’s nebulae are stellar nurseries where new stars are born. Connecting these two visually through imagery helps us appreciate the scale and complexity of this region.


Creating the mosaic: technical approach

Capturing the entire stretch from Alnitak in the belt down to the Orion Nebula in the sword requires careful planning and execution. Here’s how I approached the mosaic:


  • Panel Selection: I divided the area into several overlapping panels to cover the wide field without losing detail. I did this using N.I.N.A., special imaging software for astrophotographers.

  • Equipment:

    • Camera or sensor: Although most of the deep sky works use special filters, this one was all done using visible light. The camera I used is called the ZWO ASI294MC Pro, a "one shot color" camera that is dedicated to deep sky photography. It is only accessible via a USB connection and has a built-in cooling unit to reduce thermal noise during imaging.

    • Telescope: the Celestron EdgeHD 9.25" telescope is a Schmidt-Cassegrain design which allows for more magnification in a compact unit. It includes a main "primary lens" that is 235mm in diameter. This, in turn, funnels light to the bottom of the tube which has a mirror that reflects light back to the lens. The center of the lens has a second mirror designed to focus the light on a point at the back of the tube where the camera usually goes. This out of the box configuration and provides a 2,350mm focal length at f/10.

    • HyperStar: the EdgeHD has a special configuration that allows the secondary mirror to be swapped with a lens. This shortens the focal length to around 530mm but increases the speed to f/2. This is the configuration that I used for the mosaic.

    • Equatorial mount: to take lengthy exposures at a robust focal length requires compensation for the Earth's rotation. When properly aligned, an equatorial mount can precisely move at the apparent rate of stars in the sky, called sidereal, and allow for long exposures without the stars stretching. I've done up to 10-minute exposures using this technique.

    • Guiding: to keep the telescope pointed directly on the target, I use a secondary scope and camera (called a "guiding scope") that is a shorter focal length and size. In essence, the guiding camera locates stars in the field of view and watches for movement. When the stars drift, it issues corrections to the mount so the scope stays on target.

  • Exposure Settings: Due to my limited window of time, I did not do lengthy exposures. However, at f/2 the scope gathers light over 20 times faster than the ordinary configuration and the nebulae I photographed are all bright. I decided to limit exposures to ten one-minute exposures (ten minutes total) per panel.


After the camera finished shooting, I ended up with 10 sets of 10 one-minute exposures. Due to the sensitivity of the lens and the configuration, the frames have heavy vignetting. In the morning, I pointed the telescope at a bright but neutral (no clouds or bright stars) section of the sky and captured "flats" which I can use to train the software to calibrate the frames and minimize the distortions. Each panel was stacked with AstroPixel Processor, and because of the vignetting and noise at the edges, I cropped each panel down which was fine because of the overlap. I then stitched the panels in a "mosaic" mode to create the final panorama.


This method ensures that the final mosaic shows both the sharp stars of the belt and the diffuse glow of the nebulae in the sword with clarity.


Highlights of the mosaic


The mosaic reveals several fascinating features:


  • Alnitak’s Blue Glow: The leftmost star in Orion’s belt, Alnitak, shines with a distinct blue hue, a sign of its high temperature.

  • Flame Nebula (NGC 2024): Just next to Alnitak, this bright emission nebula appears as a fiery patch, glowing due to ionized hydrogen gas.

  • Horsehead Nebula (Barnard 33): A dark nebula silhouetted against the bright background, its shape resembling a horse’s head is visible near Alnitak.

  • Orion Nebula (M42): The brightest part of the sword, this stellar nursery glows with pink and red hues from ionized gases.

  • Running Man Nebula (NGC 1977): Located just above M42, this reflection nebula adds a ghostly almost purple tint to the scene.


Each of these objects contributes to the rich tapestry of Orion’s sword, and seeing them connected to the belt in one image emphasizes their spatial relationship.


Why this connection matters


Many images of Orion focus either on the belt or the sword separately. By connecting them, the mosaic offers a more complete view of this celestial region. This connection helps:


  • Understand Spatial Context: Viewers can see how the bright stars relate to the surrounding nebulae.

  • Appreciate Scale: The vast distances and sizes become more tangible when these features are shown together.

  • Inspire Curiosity: The mosaic invites viewers to explore each part, from the stars to the nebulae, sparking interest in astronomy.


For amateur astronomers and astrophotographers, this approach also demonstrates the value of mosaics in capturing wide fields with detail.


Tips for capturing your own Orion mosaic


If you want to try creating a similar mosaic, here are some practical tips:


  • Plan Your Field of View: Use star charts or planetarium software to map out the panels needed.

  • Use a Stable Mount: Accurate tracking is essential for long exposures and sharp images.

  • Balance Exposure Times: Bright stars and faint nebulae require different exposure lengths; consider bracketing.

  • Take Calibration Frames: Dark, flat, and bias frames improve image quality during processing.

  • Use Stitching Software: Programs like DeepSkyStacker or PixInsight can help align and blend panels.

  • Be Patient: Weather and light pollution can affect results; multiple sessions may be needed.


Tip: I list all of the software programs and tools I use on the resources page.


The science behind the sword and belt


The stars in Orion’s belt are massive O and B-type stars, burning hydrogen at high temperatures. Alnitak, for example, is a triple star system about 1,260 light-years away. These stars emit intense ultraviolet radiation that shapes the surrounding nebulae.


The sword region contains the Orion Molecular Cloud Complex, a vast area of gas and dust where new stars form. The Orion Nebula is the closest massive star-forming region to Earth, about 1,350 light-years away. It contains young stars, protoplanetary disks, and jets of gas, making it a laboratory for studying star birth.


Understanding this region helps astronomers learn about the life cycles of stars and the conditions that lead to planet formation.


Bringing the cosmos closer

In the end, connecting Orion’s belt to his sword reveals more than a beautiful stretch of sky — it reveals a living story. The massive stars of the belt blaze fiercely, shaping the very clouds that cradle new suns in the sword below. Myth paints Orion as a hunter, but the cosmos paints him as something far more intricate: a tapestry of creation, destruction, and renewal.


We don’t have to understand every detail to feel the wonder of it. Sometimes it’s enough to stand beneath the night sky, look up at this ancient figure, and remember that even the brightest stars are part of something larger — a creation vast, complex, and breathtaking beyond measure.


God is good.


DSW Galleries LLC

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